References and Further Reading
Anati, E. (2015). World Rock Art. Capodiponte: Atelier Edit.
Animalia. (n.d.). Greater Kudu—Facts, Diet, Habitat & Pictures on Animalia. Bio. Retrieved February 26, 2026, from https://animalia.bio/greater-kudu
Biology, I. (2026, January 13). What Animals Are in Zimbabwe? A Look at Its Wildlife. Biology Insights. https://biologyinsights.com/what-animals-are-in-zimbabwe-a-look-at-its-wildlife/
Bonneau, A., Pearce, D., Mitchell, P., Staff, R., Arthur, C., Mallen, L., Brock, F., & Higham, T. (2017). The earliest directly dated rock paintings from southern Africa: New AMS radiocarbon dates. Antiquity, 91(356), 322–333. https://doi.org/10.15184/aqy.2016.271
BUSE Adopts Two National Monuments | Bindura University of Science Education. (2022, February 24). https://www.buse.ac.zw/buse-adopts-two-national-monuments/
Dowson, T. A. (2007). “Debating Shamanism in Southern African Rock Art: Time to Move On.” South African Archaeological Bulletin 62 (185): 49–61.
Drucker, J. (2014) Digital Humanities. Cambridge, MA: MIT Press. https://doi.org/10.7551/mitpress/9248.003.0003
Garlake, P. S. (1972). Excavations at the Nhunguza and Ruanga Ruins in Northern Mashonaland. The South African Archaeological Bulletin, 27(107/108), 107. https://doi.org/10.2307/3888512
Garlake, P. S. (1987). Themes in the prehistoric art of Zimbabwe. World Archaeology, 19(2), 178–193. https://doi.org/10.1080/00438243.1987.9980033
Gibbon, G. (2017). The Science of Rock Art Research. In B. David & I. J. McNiven (Eds.), The Oxford Handbook of the Archaeology and Anthropology of Rock Art. Oxford University Press.
Gold, M. K., and Klein, L. F. eds. (2016). Debates in the Digital Humanities 2016. Minneapolis: University of Minnesota Press.
Henshilwood, C. S., D’Errico, F., & Watts, I. (2009). Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa. Journal of Human Evolution, 57(1), 27–47. https://doi.org/10.1016/j.jhevol.2009.01.005
Holt, J. Z. (2013). Ritual Objects and the Red Horn State: Decoding the Theater State at Cahokia. Illinois Antiquity, 48(3), 17–19.
Katz, R. (1982). Boiling Energy: Community Healing Among the Kalahari Kung. Harvard University Press.
Leon, S. (2017). 'Complexity and Collaboration: Doing Public History in Digital Environments', in Paula Hamilton, and James B. Gardner (eds), The Oxford Handbook of Public History, Oxford Handbooks https://doi.org/10.1093/oxfordhb/9780199766024.013.2
Lewis-Williams, J. D, and Thomas A. D. (1988). “The Signs of All Times: Entoptic Phenomena in Upper Paleolithic Art.” Current Anthropology 29 (2): 201–245.
Ramsar Convention Secretariat. 2016. Ramsar Site Information Sheet: Lake Chivero and Manyame. Accessed April 8, 2026. https://rsis.ramsar.org/RISapp/files/RISrep/ZW2105RIS_1602_en.pdf
Schaafsma, P. (2015). Meanderings: The possibility of art. New Mexico Historical Review, 90(2), 9.
Van den Heever, S. (2021). Botanical Motifs in the Rock Art of Zimbabwe. MSc dissertation, University of the Witwatersrand.
Warwick, Claire. (2012). “Studying Users in Digital Humanities.” In Literary and Linguistic Computing 27, no. 1: 1–13. https://doi.org/10.1093/llc/fqs013.
Walker, N. (2012). The rock art of the Matobo Hills, Zimbabwe. Adoranten, 38.
Walker, N. J. (1996). The Painted Hills: Rock art of the Matopos, Zimbabwe: a guidebook. Mambo Press.
Watrall, E. (2016) “Archaeology and the Digital Humanities: A ‘Big Tent’ View.” In Debates in the Digital Humanities 2016, edited by Matthew K. Gold and Lauren F. Klein. Minneapolis: University of Minnesota Press.
Zimbabwe Field Guide | Information on Historic, Cultural and Wildlife sites in Zimbabwe. (n.d.). Retrieved February 19, 2026, from https://zimfieldguide.com/
